Leaving the construction site on the eve of a major project, construction manager Ivan Locke receives news that sends him driving the two hours from Birmingham to London, but even further from the life he once knew. If you think of Tom Hardy—last seen as the masked villain Bane in The Dark Knight Rises—primarily as a tough and impassive action star, Locke will reveal to you the error of your ways. It's a concrete movie. No, Locke is a rich text, an oddly relaxing drama that can be looked at from a few different angles. 40,000+ articles posted by thousands of contributors spanning the entire cultural spectrum.

It's not hard to see why: Written and directed by Peaky Blinders creator Steven Knight, the film, which flopped at the box office and earned mostly brutal reviews, is one of those ridiculous, star-filled thrillers with an absurd twist ending that makes for perfect "good bad" movie viewing. I don't begrudge anyone's enthusiasm for Serenity, which is a total blast, but I'd like to use this opportunity to make the following public service announcement: don't sleep on Locke. “If the traffic is OK, I should be there in an hour and a half,” Locke assures one of his many unseen conversation partners, and the movie—written and directed by Steven Knight (who wrote the scripts for David Cronenberg’s Eastern Promises and Stephen Frears’ Dirty Pretty Things)—makes good on that promise, clocking in at 85 minutes of real time during which the camera never strays from Locke’s car, and rarely from Hardy’s face. A lesson of how unique and quite fantastic minimalist cinema can be. Can he still be loyal to his wife after betraying her by being unfaithful? Though it's not about public transportation, Locke is an intriguing visual representation of the nebulous, hard-to-pin-down "night bus" aesthetic. How many phone calls does Ivan Locke recieve during the whole movie. And, yes, occasionally he yells at the ghost of his father, who abandoned him as a child, in the backseat of the car. This would be true if you've never seen a movie before, but that is not the case. The situation they create is also very creative and interesting. Unlike Serenity, it's not a movie to watch with friends; instead, I recommend watching it alone late at night, possibly during a thunderstorm, to achieve the optimal viewing experience. In the early 2010s, music message boards were briefly abuzz with discussions of an emerging micro-genre referred to as "night bus," which was named after a Burial track that evoked the rainy, contemplative mood of traveling in the UK late at night. A ticking clock and lack of a safe escape route had us sweating bullets with Dennis Weaver, Colin Farrell and Ryan Reynolds. Though it’s structured around a series of phone conversations in a tightly enclosed space, Locke feels kinetic and suspenseful, not stilted or talky.

A man named Ivan Locke (Tom Hardy) leaves a construction site as night falls and gets into his car. ©2020 Group Nine Media Inc. All Rights Reserved. I highly recommend this film. Of course, I admired Tom Hardy's performance but the story itself is not worth it really. A writing masterclass with an outstounding performance from Hardy. A surprise at the 57th London Film Festival. It's actually the most suspenseful movie of the year. Huge bombastic films with expensive effects and elaborate set pieces where the fate of the world is in peril from the forces of evil, and only a small band of heroes can save us from certain doom. Anne Campbell. Okay, now I think you understand how good I think Hardy does.

A heart pounding drama featuring one of the best performances of all time. Actually, that's not entirely true, there is an exciting bit where he opens a big project binder to go through the list of road closings necessary to allow for C6 (not C5) concrete to be delivered for the biggest concrete pour in Europe (outside of the Military and Nuclear industries).
Often, these movies run out of gas as they attempt to pile on convoluted plot contrivances, tedious suspense beats, and dopey twists to keep the protagonist in one setting as demanded by the single-location premise. But even more importantly, he will have to face himself and the choices he has made. Locke never forgave his father for abandoning him as a child, and he is determined not to make the same mistake, even though he has no relationship with, nor any particular feelings for, Bethan. Hardy delivers a 'concrete' cast throughout the film, The Most Interesting Story About Concrete Ever. (Hardy has said he based the character’s musical cadences and trilling R’s on the voice of Richard Burton.) Which one of Locke's sons is older; Tom or Eddie? He coaches his assistant Donal through preparing the pour despite some major setbacks, and has imaginary conversations with his dead father, whom he envisions (unseen onscreen) as a passenger in the car; he berates his father for abandoning Locke's family, and vows he will not repeat that mistake. There is not a single twist or bit of excitement throughout the whole film. That poor decision has him in a tough spot with very poor timing.For those that wonder if Bane from The Dark Knight Rises has the acting chops to hold our attention, a reminder of Tom Hardy's fine work should alleviate concerns: Warrior, Inception, Lawless, Bronson, Tinker Tailor Soldier Spy.
During this time, his own personality is supplanted by his alter-ego, Charles Bronson. Locke gets the job done. Locke works as Venom prequel and I can't be convinced otherwise. I'll just say it makes you wonder what you'd do in the given situation. It's a daring experiment brilliantly executed, with Tom Hardy giving one of the best performances of his career".

Published on 8/9/2019 at 3:16 PM. If you ever wanted to see what it would look like if you smushed together Double Indemnity, The Matrix, and a Jimmy Buffet song, this is the movie for you. With Tom Hardy, Olivia Colman, Ruth Wilson, Andrew Scott. C5, not C6. Where Serenity is a baffling and mostly bad movie, albeit a fascinating one to think about and make jokes about, Locke is a baffling and good movie, one that lingers in the mind for weeks. The film stars Tom Hardy in the title role, with Tom Holland, Olivia Colman, Andrew Scott, Ruth Wilson, Ben Daniels, and Alice Lowe providing voices. It's a Venom movie. 24’, Naomi Watts and Director Phillip Noyce to Film Limelight Thriller ‘Lakewood’ (Exclusive), Film 2017: Episode dated 12 November 2014. Here's a well respected writer director giving Cinema a bad name. No weapons. Making the decision that he has to make, he then calls his wife, his sons, his co-workers and boss telling them the secret that he is bearing and trying to keep his job and family intact. Over the course of the one and a half-hour drive from Birmingham to London, Locke holds a total of 36 phone calls with: his boss Gareth; his backup colleague Donal; Katrina, wife of 15 years, to confess his infidelity; his sons, Eddie and Sean, who call him separately with updates on the match and (eventually) the worrisome breakdown of their mother; St Mary's maternity unit medical personnel, Sister Margaret then Halil Gullu, who are working with Bethan through some troubling complications; the council head, Cassidy, and local police authority, PC Davids, required for the road closures needed to allow the 225+ concrete trucks to properly access the site; and with Bethan to reassure her during her labour. There’s Locke’s wife (Ruth Wilson) and two teenage sons—identified collectively on the caller ID as “Home”—who can’t understand why this soccer-mad family man hasn’t returned home to watch a big match with his boys. Shooting took place over eight nights, with the crew only taking breaks to change the three cameras' memory cards. But even more importantly, he will have to face himself and the choices he has made. Locke is a 2013 British–American psychological drama film written and directed by Steven Knight.

The only debate this film raised in our house was "Was that the worst film you have ever seen?". operatives wage an epic battle on each other when they discover they are dating the same woman. Seen on Sky News; featured in The Guardian, NY Times, The Independent and more. The film stars Tom Hardy in the title role, the only character seen on screen, as he carries on a number of speakerphone conversations with characters voiced by Olivia Colman, Ruth Wilson, Andrew Scott, Ben Daniels, Tom Holland and Bill Milner. In the time it takes him to drive from Birmingham to London, his whole life changes, and you get to see how and why through various telephone calls on Bluetooth loudspeaker. Sounds impossible, but writer/director Steven Knight does amazing with a tiny budget. Greetings again from the darkness. You also get to know, not only Hardy's character, but the people he's talking to on the phone as well. Tom Hardy owns this movie and Locke really is the perfect vehicle (literally) for showing off his barebones acting chops. Book 1 of 3: Gentleman Bastard | by Scott Lynch, Michael Page, et al. All forms of dialogue are from Locke and from calls he gets ingoing and outgoing through the car. That's the setting. And you'll never see this message again. "Locke" is a one man play being passed off as a movie. Locke's unrelenting commitment has the ability to move one to tears. That the whole thing holds together is as unlikely a miracle as the construction of a skyscraper. The Gentleman Bastard Sequence – Locke Lamora is a Trans Man. Ivan is not being followed by a spy or anyone else.

There was not one moment I can think of where I was looking at my watch or was at all bored with it. In the end am sorry to say I found it disappointing and dull.

But somehow, miraculously, Knight and Hardy turn that car into the only place you want to be for every one of those minutes. In his dealings with his wife (voiced by The Affair's Ruth Wilson), his two sons (the voices of Bill Milner and future-Spider-man Tom Holland), and the woman he had a brief affair with (the voice of The Favourite's Olivia Colman), Locke must constantly wrestle with his diverging commitments to his growing family unit. This entry from the Dallas International Film Festival takes a much different approach.Noted British writer Steven Knight also directs this one, and rather than nail-biting tension, we get a pretty interesting character study. I still can't get over how great this film was, so much so that when it officially comes to theaters, I'll be racing back to see it again. [3] The film was released on Blu-ray and DVD on 12 August 2014.

The film had a limited release in the United Kingdom beginning on 18 April 2014, and grossed $5 million worldwide. Keep track of everything you watch; tell your friends.

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